Utilizing unconventional supplies and discarded objects, comparable to damaged mirrors, cotton balls, hair weaves and automotive components sourced from his native environment, Aaron Fowler creates elaborate assemblage work of lived and imagined narratives from private experiences and people of his family members.
Fowler’s “Into Existence” exhibition on the Seattle Artwork Museum (SAM) consists of 4 large-scale, mixed-media works echoing phrases of encouragement from his grandmother: “It’s good to converse it into existence.”
The recipient of SAM’s 2019 Gwendolyn Knight and Jacob Lawrence Prize, which is awarded biannually to an early-career Black artist, Fowler finds that the concept of talking issues into existence is an answer to what he’s going by way of in life.
“Everybody that I paint, I often know,” Fowler stated.
Within the two-sided medallion titled “Debo Free” positioned on the exhibition’s entrance, Fowler tries to liberate his incarcerated good friend by displaying that Debo is held by chains on one aspect and is free on the opposite.
“I need individuals to know what’s happening in the meanwhile, in order that’s the present state,” Fowler stated. “The talking into existence is like the longer term.”
Fowler’s compositional cues and subject material often come from photos he can relate to on the time.
“I went to Yale and it felt like being in a privileged place, and I didn’t develop up like that in any respect — come from downtown St. Louis,” Fowler stated. “I simply felt like a pirate, you understand, so I began portray pirates and looking out up pirate work, and stuff like that for composition.”
“Jacob Lawrence has undoubtedly impressed me rather a lot,” Fowler stated. “I really feel like I channel a variety of issues that he channeled.”
Fowler found Lawrence’s work…